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music." 10 :46 Steiner used motifs and thematic elements in the music to emphasize the emotional development of the narrative. 52 Legacy among composers edit In Kurt London's Film Music, London expressed the opinion that American film music was inferior to European film music because it lacked originality of composition; he cited the music of Steiner as an exception to the rule. "Steiner creates a musical picture that tells us all we need to know about the character." 25 To accomplish this, Steiner synchronized the music, the narrative action and the leitmotif as a structural framework for his compositions. A lot of composers make the mistake of thinking of film as a concert platform on which they can show off. There are also acetates of Steiner conducting the Warner Brothers studio orchestra in music from some of his film scores.

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By Selznick to compose the score for Gone with the Wind (1939 which became one of Steiner's most notable successes. 6 :26,37 7 :56 His godfather was the composer Richard Strauss who strongly influenced Steiner's future work. 9 :206 Filmography edit Main article: Max Steiner filmography The American Film Institute respectively ranked Steiner's scores for Gone with the Wind (1939) and King Kong (1933) #2 and #13 on their list of the 25 greatest film scores. Steiner helps portray the genuine love Katie has for the main character Gypo.

huge gay cock norske chattesider music." 10 :46 Steiner used motifs and thematic elements in the music to emphasize the emotional development of the narrative. 52 Legacy among composers edit In Kurt London's Film Music, London expressed the opinion that American film music was inferior to European film music because it lacked originality of composition; he cited the music of Steiner as an exception to the rule. "Steiner creates a musical picture that tells us all we need to know about the character." 25 To accomplish this, Steiner synchronized the music, the narrative action and the leitmotif as a structural framework for his compositions. A lot of composers make the mistake of thinking of film as a concert platform on which they can show off. There are also acetates of Steiner conducting the Warner Brothers studio orchestra in music from some of his film scores.

2 :32 The Letter is set in Singapore, the tilt rencontre angers tale of murder begins with the loud main musical theme during the credits, which sets the tense and violent mood of the film. A year later, he even wrote a letter emphasizing the value of original film scores. 18 : Steiner's first job was for the film Dixiana ; however, after a while RKO decided to let him go, feeling they were not using him. 37 :254255 Steiner's score for Casablanca was nominated for the Academy Award for best score, losing to The Song of Bernadette (1943). As it appears in the end of the film, the theme is played at a fortissimo volume as Gypo staggers into the church, ending the climax with the clap of the cymbals, indicating Gypo's penitence, no longer needing to establish his guilt. In a later scene, the Katie theme plays as a drunk Gypo sees a beautiful woman at the bar, insinuating he had mistaken her for Katie. Tom Perry Special Collections, Brigham Young University The Film Music of Max Steiner on YouTube, documentary by Barry Kolman "Max Steiner Father of Film Music" on YouTube, film documentary trailer "Max Steiner Greatest Hits" on YouTube, compilation by Beny Debny. The credit frame reads: "Music by Victor Young, extended by his old friend, Max Steiner". "From World War to "Star Wars The Music". The Max Steiner Memorial Society was formed in the United Kingdom continue the work of the Max Steiner Music Society. As recording technology improved during this period; he was able to record the music synced to the film and could change the score after the film was edited. My theory is that the music should be felt rather than heard. 60 37 :257 However, according to William Darby and Jack Du Bois's American Film Music, even though other film score composers may have produced greater individual scores than Steiner, no composer ever created as many "very good" ones as Steiner. Steiner was the only composer Selznick considered for scoring the film. Steiner uses minor " Mickey Mousing " techniques in the film.

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  • Max Steiner was born on May 10, 1888, in Austria-Hungary, as the only child in a wealthy business and theatrical family of Jewish heritage.
  • He was named after his paternal grandfather, Maximilian Steiner (18391880 who was credited with first persuading Johann Strauss II to write for the theater, and was the influential manager of Vienna's historic Theater an der Wien).
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William LeBaron, RKO's head of production, traveled to New York to watch Steiner conduct and was impressed by Steiner and his musicians, who each played several instruments. 2 :29 The main title of the film's soundtrack has three specific aspects. Steiner would typically wait until the film was edited before scoring it, and after watching Casablanca, he decided the song " As Time Goes By " by Herman Hupfeld wasn't an appropriate addition to the movie. Classical Hollywood Reader, Routledge (2012). huge gay cock norske chattesider

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